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Heritage, design and Global South stories from established outlets.
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Visual systems before colonial rule
Coastal contact and transcultural exchange, c. 1471–1874
Colonial print and institutional design, 1874–1945
Anticolonial and independence visual culture, 1945–1966
Post-independence public and popular graphics, 1966–1992
Democratic, digital and diasporic design, 1992–present
Land, cosmology and authority
Memory, proverb and performance
Cloth, pattern and social identity
Print, colonial rule and public culture
Independence and state visual identity
Popular and everyday graphics
Digital, diasporic and contemporary design
Colonial print and institutional design, 1874–1945
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The Story of The Committee of 300
Book · 2000 · Open Library
Collection
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Head
Image · Cleveland Museum of Art
Collection
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Article · 1945
Our Town in Print
Kathryn Royer
Design
1945
Collection
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Chapter · 2020
Visualizing “International” and Korean-Japanese Marriage in Print Media
Su Yun Kim
Imperial Romance
2020
Collection
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Disk Pendant (akrafokɔnmu)
Image · Cleveland Museum of Art
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Accra Grand Mall
Image · Wikimedia Commons
Collection
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Gold Weight (abrammuo): Antelope
Image · Cleveland Museum of Art
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Chapter · 2006
4. Print Culture and the Emergent Public Sphere in Colonial Taiwan, 1895–1945
Liao Ping-Hui
Taiwan Under Japanese Colonial Rule, 1895-1945
2006
Collection
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Essay
Exploitation minière et exploitation humaine : les charbonnages dans le Vietnam colonial, 1874-1945
Le charbon était connu au Vietnam depuis longtemps, mais c’est pendant la période coloniale qu’il fit l’objet d’une exploitation systématique. Les Français s’intéressèrent à ces ressources minières du Vietnam dès avant l
Jaehyun Jeoung
Crossref
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